“IRIA PERESTRELO, SOPRANO WAS PARTICULARLY ENGAGING AS SHE FULLY EMBRACED THE STORYTELLING ASPECT OF HER SOLO PERFORMANCES.”
Wiltsglossstandard
Handel: Messiah, Cirencester Cathedral
“All were impressive, although I slightly favoured the warm and gentle timbre of Iria Perestrelo, her voice blending well into the instrumental consort.”
EARLY MUSIC REVIEW
Bach: Ich habe genug, St. Martin-in-the-Fields
“Iria led us throughout this script, in such a full and convincing way, as if we were singing within her.”
LABOR.PT
Song Recital
“The four older fairies [whose] tasks are substantial in these roles… (Guildhall sopranos Alba Bosch Teixidor, Faustine De Monès, Iria Perestrelo and Laura Ruhi Vidal) – look, act and sound deceptively young (and play their cymbals and woodblocks in the fairies’ stage band as experienced orchestra players).”
MUSICALCRITICISM
Britten: A Midsummer Night’s Dream, Barbican Theatre
"...admirable for their vocal accuracy and spirited presence.”
BACHTRACK
Britten: A Midsummer Night’s Dream, Barbican Theatre
“Good singing from the quartet of fairies, who were vivacious and well blocked.”
OPERA TODAY
Britten: A Midsummer Night’s Dream, Barbican Theatre
“Iria Perestrelo's voice displayed a strong emotional connection and a brilliant technical skill.”
JORNAL DE BARCELOS
Song Recital
“Serpina delights in the opera buffa at ZêzereArts.”
MEDIOTEJO.NET
Pergolesi: La Serva Padrona, Serpina