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“IRIA PERESTRELO, SOPRANO WAS PARTICULARLY ENGAGING AS SHE FULLY EMBRACED THE STORYTELLING ASPECT OF HER SOLO PERFORMANCES.”

Wiltsglossstandard

Handel: Messiah, Cirencester Cathedral
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“All were impressive, although I slightly favoured the warm and gentle timbre of Iria Perestrelo, her voice blending well into the instrumental consort.”

EARLY MUSIC REVIEW

Bach: Ich habe genug, St. Martin-in-the-Fields

“Iria led us throughout this script, in such a full and convincing way, as if we were singing within her.”

LABOR.PT

Song Recital

“The four older fairies [whose] tasks are substantial in these roles… (Guildhall sopranos Alba Bosch Teixidor, Faustine De Monès, Iria Perestrelo and Laura Ruhi Vidal) – look, act and sound deceptively young (and play their cymbals and woodblocks in the fairies’ stage band as experienced orchestra players).”

MUSICALCRITICISM

Britten: A Midsummer Night’s Dream, Barbican Theatre

"...admirable for their vocal accuracy and spirited presence.”

BACHTRACK

Britten: A Midsummer Night’s Dream, Barbican Theatre

“Good singing from the quartet of fairies, who were vivacious and well blocked.”

OPERA TODAY

Britten: A Midsummer Night’s Dream, Barbican Theatre

“Iria Perestrelo's voice displayed a strong emotional connection and a brilliant technical skill.”

JORNAL DE BARCELOS

Song Recital

“Serpina delights in the opera buffa at ZêzereArts.”

MEDIOTEJO.NET

Pergolesi: La Serva Padrona, Serpina